{"id":168982,"date":"2023-12-15T20:05:42","date_gmt":"2023-12-15T20:05:42","guid":{"rendered":"https:\/\/culture.org\/?p=168982"},"modified":"2023-12-15T20:05:42","modified_gmt":"2023-12-15T20:05:42","slug":"extensive-theft-and-damage-at-the-british-museum","status":"publish","type":"post","link":"https:\/\/culture.org\/news\/extensive-theft-and-damage-at-the-british-museum\/","title":{"rendered":"Extensive Theft and Damage at the British Museum"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Discover the shocking findings from an independent review of the British Museum, revealing a <\/span><a href=\"https:\/\/culture.org\/art-and-culture\/stolen-antiquities-worth-725000-repatriated-to-yemen-a-step-towards-restoring-cultural-heritage\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">major theft<\/span><\/a><span style=\"font-weight: 400;\"> and damage scandal involving thousands of historical artifacts.<\/span><\/p>\n           <!--  <script type=\"text\/javascript\">\r\n                jQuery(document).ready(function() {\r\n                    jQuery(\".key-accordion-item .key-menu\").on(\"click\", function() {\r\n                        if (jQuery(this).parent().hasClass(\"active\")) {\r\n                            jQuery(this).next().slideUp();\r\n                            jQuery(this).parent().removeClass(\"active\");\r\n                        } else {\r\n                            jQuery(\".key-content\").slideUp();\r\n                            jQuery(\".key-accordion-item\").removeClass(\"active\");\r\n                            jQuery(this).parent().addClass(\"active\");\r\n                            jQuery(this).next().slideDown();\r\n                        }\r\n                    });\r\n                })\r\n            <\/script> -->\r\n\r\n\r\n            <!-- start html -->\r\n\r\n            <div class=\"news-key-takeaway-wapper\">\r\n                                <span style=\"background-color:#9259b9;\">Key Takeaways<\/span>\r\n                <ul class=\"news-key-nbox\" style=\"border-color:#9259b9;background-color:rgba(146, 89, 185, 0.1);\">\r\n                                                        <li>Over 2,000 artifacts from the British Museum, including jewelry and gems from as early as the 15th century BCE, have been stolen or defaced, with many sold for scrap.<\/li>\r\n                                                                    <li>An independent review has led to the dismissal of a staff member and the recovery of 351 out of 1,500 missing items.<\/li>\r\n                                                                    <li>The British Museum has initiated measures for better protection and documentation of its collection, accepting all 36 recommendations from the review.<\/li>\r\n                                                <\/ul>\r\n            <\/div>\r\n            \n<h2><b>Investigation Reveals Extent of Loss and Damage<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Hundreds of artifacts in the <\/span><a href=\"https:\/\/culture.org\/news\/alleged-theft-from-the-british-museum-precious-artifacts-surface-on-ebay\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">British Museum<\/span><\/a><span style=\"font-weight: 400;\"> have been compromised, with an investigation uncovering the defacement of numerous items, including valuable gems and jewelry from various historical periods. <\/span><b>Around 2,000 items have been affected<\/b><span style=\"font-weight: 400;\">, with many missing or stolen, according to an independent review.<\/span><\/p>\n<h2><b>Museum&#8217;s Crisis Timeline and Response<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">The crisis dates back to 2021, beginning with a tip from a Danish art dealer about suspicious online sales. The museum&#8217;s initial investigation was deemed insufficient, leading to a more extensive review. <\/span><b>Former director Hartwig Fischer resigned over the scandal<\/b><span style=\"font-weight: 400;\">, and the museum has since accepted all recommendations from the review, including complete documentation and digitization of its collection.<\/span><\/p>\n<h2><b>Details of the Theft and Recovery Efforts<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">A significant focus of the thefts was unregistered jewelry and gems from the museum&#8217;s Greece and Rome department. Of the <\/span><b>1,500 missing or stolen items<\/b><span style=\"font-weight: 400;\">, only 351 have been recovered. The museum estimates that the majority of removed parts from 350 items are likely unrecoverable, having been sold for scrap. The museum has also begun an audit of its compliance with the Public Records Act and is increasing transparency in its operations.<\/span><\/p>\n<h2><b>Accused Thief&#8217;s Role and Lack of Cooperation<\/b><\/h2>\n<p><b>Peter Higgs<\/b><span style=\"font-weight: 400;\">, the accused former senior curator, has reportedly not cooperated with the investigation. He is <\/span><b>suspected of stealing items <\/b><span style=\"font-weight: 400;\">over a period of <\/span>30 years<span style=\"font-weight: 400;\">, selling some on eBay for minimal amounts. The museum is undergoing a <\/span>significant overhaul of its security<span style=\"font-weight: 400;\"> and <\/span>management practices<span style=\"font-weight: 400;\"> in response to these events, with recommendations from the review being implemented.<\/span><\/p>\n<h2><b>Museum&#8217;s Path Forward: Security and Transparency Enhancements<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">The British Museum is now focused on improving its security measures, management practices, and the handling of its collection. This includes more frequent inventory checks, a modern approach to management, and enhanced transparency with the public. The board of trustees is actively engaged in implementing these changes to prevent future incidents and restore public trust.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10028,"featured_media":168983,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3588],"tags":[],"class_list":["post-168982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/168982"}],"collection":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/users\/10028"}],"replies":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/comments?post=168982"}],"version-history":[{"count":0,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/168982\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media\/168983"}],"wp:attachment":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media?parent=168982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/categories?post=168982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/tags?post=168982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}